by Jorunn Hernes (Norway) Why do I ask you to bring clothes to the colour analysis? Well, you’ll show up wearing clothes, but when you book a colour analysis with me, I always ask you to bring clothes too (and accessories) to the appointment. Some bring a few select items, others come hauling a suitcase
Category: Personal Colour Analysis
Colour Analysis in London, UK
by Jorunn Hernes (Norway) Hello! I am Jorunn Hernes of Nordic Simplicity, 12 BLUEPRINTS Personal Colour Analyst based in Norway. If you don’t know me from before, I am based in Norway, and have been seeing clients in my Fargeporten studio on the west coast of Norway since 2013. I’m also writing about how to
Growing into Bright Winter
by Debi Rushworth (New Brunswick, Canada) I can still remember the elation. The wait was over. The analyst pronounces what we have both seen with our eyes, that I am a Bright Winter. The Luxury drapes have been demonstrated, giving me visual reference on what my colours look like in fabric. …Then what? Maybe it’s just
Aligned Makeup Masterclass with Florentina – Part 6
by Florentina Mossou (The Netherlands) Part 6 Creating Your Signature Makeup Look Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin A Statement of Detail – Highlighter and
Aligned Makeup Masterclass with Florentina – Part 5
by Florentina Mossou (The Netherlands) Part 5 A Statement of Detail – Highlighter and Eye Makeup for Horizontal Yin Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin
Aligned Makeup Masterclass with Florentina – Part 4
by Florentina Mossou (The Netherlands) Part 4 A Statement of Curve – Blush for Vertical Yin Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin A Statement of
Aligned Makeup Masterclass with Florentina – Part 3
by Florentina Mossou (The Netherlands) Part 3 A Statement of Dimension – Contour for Horizontal Yang Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin A Statement of
Aligned Makeup Masterclass with Florentina – Part 2
by Florentina Mossou (The Netherlands) Part 2 A Statement of Scale – Foundation for Vertical Yang Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin A Statement of
Aligned Makeup Masterclass with Florentina – Part 1
by Florentina Mossou (The Netherlands) Part 1 Introduction – Light, colour and shape Overview Introduction – Light, colour and shape A Statement of Scale – Foundation for Vertical Yang A Statement of Dimension – Contour for Horizontal Yang A Statement of Curve – Blush and Lipstick for Vertical Yin A Statement of Detail – Highlighter
Announcing FREE Aligned Makeup Masterclass with Florentina
by Florentina Mossou (The Netherlands) Featuring 12B colour analysis and Align style analysis You’re invited! The real magic of makeup is to draw attention to the eyes. Harmonious colours, proportions and textures do not distract the gaze, but guide it. The viewer settles peacefully on the eyes. Body type is key to knowing how to
One Woman, Two Versions Series
by Anna Fraś (Poland) Illuminated by different colours Following the thread of looking at the same face illuminated by different colours, we wish to present here a striking series of posts created by our analysts. Recently we have had the chance to read about Michelle’s experience and look at Anna’s project here at Chrysalis Colour.
One Woman, Four Versions
by Anna Łazarska (Poland) I love looking at pictures of women before and after their personal color analysis. I can see how random color choices are replaced with consequent patterns. How a blurred face turns into a focused one. How the colors of the person, which used to be so painfully separate from her apparel,
One Analyst, Two Faces
by Michelle Boni (Orlando, Florida) A tale of two professional photographs and two color seasons. The picture on the left is from Korea, and the picture on the right is from America. The first encounter Unlike many of my other color analyst colleagues, my first exposure to Personal Color Analysis was through a Korean TV
What You Look Like After a Colour Analysis
by Anna Fraś (Poland) Sitting across from Christine Scaman, I wondered where exactly her age could be seen. I am a little ashamed to admit that while waiting for the waitress, reading the menu and talking about matters that were of interest to us, I looked carefully at the face, hair, neck, and hands of
A New Way to Live
by Debi Rushworth (New Brunswick, Canada) At the start of the year, before COVID 19 hit, I decided it was time for a reset. Having a Personal Colour Analysis a couple of years ago and then settling into my new season of Bright Winter was quite the mental shift. Aside from realising how many clothes I
Clothing vs. Cosmetics
by Terry Wildfong (Michigan + California) While lipsticks and blush relate to an individual’s undertone, foundation is matched to overtone as it is dealing with the outer layer of skin. I have had many Winters who have a lot of yellow in their skin. They are cool (or cool neutral) but need a yellow (warmer) beige foundation. Don’t be
Whatever Your Glorious Age: Colour Analysis at 50+
by Lisa Kelly (Ontario, Canada) (Series – Part 5 of 5) For my 50th birthday back in 2013, I did something very out of character: I spent $300 on my appearance, on a personal colour analysis. Me, a jeans-and-t-shirt casual woman, intimidated by anything stronger than lipgloss. And yet the decision felt simple, and the
